The Haunt at Hellizondo

Sometimes its good when props don’t come out like they looked in your head. Whereas the last post featured a giant tiki mask that is almost a verbatim replica of the original drawing, sometimes it’s good to just keep working till it looks good. This is one such case.

The final prop:

Let’s jump forward a year to 2008. This is a prop or a scene setter that Patty and I came up with. Patty thought it would be cool to put some skulls up on the branches of a tree in the yard that had died of blight, and was mostly stripped bare of limbs, just waiting to be felled and diced up into fire wood. She said we could do anything we wanted since it was getting cut down right after Halloween.

This is how it looked in the first sketch. Some good ideas, some ho-hum:

Then a couple weeks later I drew this. It’s getting closer:

and here’s what I ended up with. Here is a daytime shot:

In the end we had to skip on the palm frond tiki masks because we couldn’t find the right one, but instead used palm fans from Calleana’s ranch and spattered them with red paint. The effect was better because it might have been too busy with tiki faces all over the tree, as the tree itself was surrounded with props already.

So if that prop doesn’t look like you planned, just work on it till it looks cool. Don’t get frustrated, don’t give up. Just keep working!

I started making some sketches for props for Haunted Tiki Island in early 2007. While HTI was still a pipe dream for all of us, and probably forgotten by most of us, I was trying to figure out how to make a cool looking tiki theme that would be scary but not offensive to Polynesian neighbors. The look of Haunted Tiki Island is a conglomeration of all kinds of tribal design aesthetics and influences. It’s Polynesian, Mayan, Aztec, Dayak, Palawan, Asmat, Ifugao, Naga, and even little bits of various African tribes. Instead of reinventing the wheel, I tried to diffuse the influence so it wouldn’t seem I was picking on anyone group.

Here is an example:

This is our giant Tiki mask, whose main features are African and Polynesian, but if you look, you’ll see Samoan and Aztec influences (the tongue sticking out on the glyph on his chin).

I made this tiki face from Dow blue insulation foam starting from a 2″ by 8″ piece. I had the drawing I made blowup at Kinkos, then I transfered the design to the foam. I used a dremel with a routing bit to draw out the features, then I used a small wire clay tool to chip out some areas to give a rougher chiseled stone look. I painted him with dark grey latex house paint, then washed him with black paint to fill in the cracks, and followed with a drybrushing of light gray.